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All elements must eventually come into play at some point in the story. Ernest Hemingway mocked the principle in his essay “The art of the short story”, giving the example of two characters that are introduced and then never mentioned again in his short story “Fifty Grand”. Writing in 1999, Donald Rayfield noted that in Chekhov’s play The Cherry Orchard, contrary to Chekhov’s own advice, there are two loaded firearms that are not fired. The unfired rifles tie into the play’s theme of lacking or incomplete action. Simmons writes that Chekhov repeated the same point, which may account for there being several variations.